So, the first time we tried this I wanted to try it in front of the green screen. That didn't work. The next time, we tried filming in an actual location that actually exists with the Bloggies and... that didn't work either. Will this be a case of third time lucky? Let's find out...
We've taken a couple of measures to try to get better footage this time:
- Remember those big sheets of black paper we used last time, because we thought the room would be too light? We didn't use those.
- We used the media department's fancy new SLR cameras instead of the Bloggies.
Here be the footage. Once again, thanks to Sir for helping me out with the filming.
This first video shows the main playthroughs of the song. As you can see (if you bothered to watch the whole forty minute video...) some of the early takes were first a bit blue, then completely black - these are unusable. After realising this, we did a few test shots and we found a lighting setup which seems to work (those being the more 'yellow' shots).
We also decided to take some more strobe light footage - although I felt the strobe footage from last time was good, it made sense to try for better now we had the shiny new cameras out.
It looks good! What you will notice in this video is some of the footage has some... unique... shots. This is what we've dubbed as "Crazycam" - this is because as the strobe light shots will be used to produce a chaotic-feeling pace to the video, I thought it would make sense to show a variety of seemingly random camera motion shots for very, very brief periods of time to act as transitions. It was quite entertaining producing this part - Sir was running around with the camera like an eight year old who had consumed waaaaay too much sugar, which was made even more funny when you consider that with the strobe running, my view of him looked like one of those amateur stop-motion films that has some of the frames missing.
Oh, one more thing. Have a collection of both random things we filmed to test out different camera setups and things which were left in the time between turning the cameras on and starting the performance.